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Richeson Premium Pastel Surfaces

 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques.
Available in sheets or, for a more sturdy working surface, hardboard or lightweight Gator board.
 

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Item Code Description Available Qt Price Qt
JR104102 JR104102 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104113 JR104113 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104124 JR104124 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104201 JR104201 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104205 JR104205 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104211 JR104211 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104213 JR104213 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104405 JR104405 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104413 JR104413 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
JR104424 JR104424 The texture of this pastel surfaces is like no other. With an exquisite 'toothy' finish, pastels can be applied with ease as the surface grabs and holds the pigment, layer after layer, allowing the artist to achieve great depth in composition. This surface is also waterproof so the artist can apply water to soften the edges of the pastel without altering the surface. You can scrub around the colour with a rag or any pastel-blending product. and inks, gouache, acrylics, oils and even watercolours can be freely applied to compositions allowing the exploration of a wide range of techniques. The Hardboard substrate it is similar to 1/8 inch thick masonite. It is very rigid and can easily be used in the studio or outside for plein air painting. It is also very easy to frame. NLA
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